本次北美代考主要为艺术相关的限时测试
A部分：
选择波普艺术的主要特点（多选）：（5分）
所有的艺术家都有一种独特的风格
他们从流行文化中汲取灵感
他们没有质疑艺术的本质
提升非常规媒体质疑低级艺术和高级艺术之间的鸿沟
他们有抽象的倾向
他们在思考艺术家和观众的角色
观念主义艺术的主要特点是（多选）：（5分）
观念主义艺术是一种“思想艺术”
观念主义艺术家质疑美学遗产以及他们自己的审美价值。
想法或概念不如最终产品或对象重要。
观念主义艺术是对 1950 年代和 1960 年代视觉形式主义的攻击
观念主义艺术家从未质疑艺术市场的作用
概念主义没有一种战略方法来决定其反形式主义立场的成功
观念主义艺术家从不参与政治活动
艺术和语言组属于：（2 分）
极简主义
观念主义
新达达
后绘画抽象
1960 年代的绘画后抽象是对以下内容的反应：（2 分）
新达达
地域主义
抽象表现主义的手势画家
抽象表现主义的色域画家
德国表现主义
Clement Greenberg 的形式主义规则包括（多选）：（5 分）
材料不真实
拒绝绘画中的对象
否认图像平面的平坦度
空间错觉
抽象倾向
放弃艺术家与观众之间的联系
否认表现主义的笔触
Section A:
- Choose main features of Pop Art (multiple choice): (5 points)
- All the artists have one unique style
- they draw inspiration from popular culture
- They were not questioning the nature of art
- elevate unconventional media questioning the divide between low art and high art
- They have tendency towards abstraction
- They were thinking about the role of the artist and audience
- Main features of Conceptualist art are (multiple choice): (5 points)
- Conceptualist art is an “art of ideas”
- Conceptualist artists question aesthetic legacy as well as their own aesthetic values.
- The idea or concept is less important than the final product or object.
- Conceptualist art is an attack on the visual formalism of the 1950s and 1960s
- Conceptualist artists were neve questioning the role of the art market
- Conceptualism did not have a strategic methodology to determine the success of its anti-formalist position
- Conceptualist artists were never politically active
- Art and Language group is a part of: (2 points)
- Minimalism
- Conceptualism
- Neo-Dada
- Post-Painterly Abstraction
- Post-painterly Abstraction of 1960s appeared as a reaction against: (2 points)
- Neo-Dada
- Regionalism
- Gestural painters of Abstract expressionism
- Color-field painters of Abstract expressionism
- German Expressionism
- Clement Greenberg’s formalist rules include (multiple choice): (5 points)
- No truth to materials
- Rejection of object in painting
- Denying of flatness of the picture plane
- Illusion of space
- Tendency towards abstraction
- Relinquishment of connection between artist and viewer
- Denying if expressionistic brushstrokes